Find a sample cue, and cross check source timecode with the SpotOn log. Export as a text tile from EdiLoad, import into Excel as a third sheetĨ. Save this project and import into EdiLoad (make sure prefs are set to original time code not user time code)ħ.

Get your conformed studio music track in PT, and in a copied project delete every other track (just for speed this - Ediload takes ages to load a full project)Ħ. Delete any leading zeros that PT has generated from the timecode INs using Replace in Excel.Ĥ. Export your regular music tracks in PT as a text file in the usual way, and tidy up in a new Excel file, sorting by Start Time.ģ. Get the SpotOn log, import into Excel (delete obvious crap from rehearsals etc)Ģ. To find out what studio music is what, the second tab will have a list of Time Of Day music cues, and the PA / Script Supervisor can cross reference each timeline cue with the stated Time Of Day.ġ. All studio play ins will be labelled Studio Music, everything else will be labelled by file name. The first will be a complete music EDL of everything in show whether played in or added in the edit / dub. The end result will be an Excel spreadsheet with 2 tabs. MS Excel (I suspect Google Sheets could do all this too mind). The daily log from SpotOn studio playout software (or equivalent) This is for any show recorded with an audience on one day, it will be more complex over multiple days, I'll let someone else figure that out! It is also assuming you have conformed media including a clean track of music played into the show. Scroll down to Post 6.Īfter many years I'm the script supervisor's best new friend, as I've finally cracked a way to generate a complete music log of everything in studio recorded show.

EDIT - with many many thanks to Peter Gates, there is now a new, better method which does not require EdiLoad.

Ediload mac osx crack